![]() As the influence of Durden’s character grows ever stronger, he manifests a nihilistic attitude that becomes instantly attractive to his amassing followers, each willing to reject the materialism of modern society and embrace individuality. ![]() Unaware he is projecting this mental figure of Tyler Durden, Edward Norton’s Narrator begins questioning the acts of his alter-ego as his own physical condition worsens. A figment of the Narrator’s idealistic impression of authenticity, Durden isn’t a force for practical change, only chaotic revolution, unable to consider the compromises of contemporary society, blinded by the allure of disorder. Without the personal agency to change the course of his life, he creates a personal device in which to help enact this chance, Tyler Durden. On his guide to ‘enlightenment’, Tyler Durden is the protagonist’s wise sage, spouting, at least, Norton’s own perception of wisdom, which is largely simple pop philosophy. To complete the process of maturing, the Narrator has to kill his teacher, Tyler Durden”. With Tyler Durden, he kills his god by doing things they are not supposed to do. Continuing, he explains: “By the start of the film, he has ‘killed off’ his parents. Identified only as ‘Jack’ in the script, but left nameless in the film, Fincher wished for Edward Norton’s character to reflect the normal everyman, noting about the character in conversation with Film Comment: “He cannot find happiness, so he travels on a path to enlightenment in which he must ‘kill’ his parents, god, and teacher”.
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